Select Publications

Christopher Moore, “Camp et ambiguïté formelle dans le Concert champêtre,” in Du langage au style: singularités de Francis Poulenc. Edited by Lucie Kayas and Hervé Lacombe, 319-330. Paris: Société française de musicologie, 2016.

Christopher Moore, “Darius Milhaud à la fin des années 1930: entre conviction politique et recherches esthétiques,in Milhaud: Compositeur et expérimentateur. Edited by Jacinthe Harbec and Marie-Noëlle Lavoie, 167-188. Paris: Vrin, 2015.

Christopher Moore, “Charles Koechlin’s America,” in Crosscurrents: American and European Music in Interaction, 1900-2000. Edited by Felix Meyer, Carol J. Oja, Wolfgang Rathert, and Anne C. Shreffler, 89-101. Woodbridge, Suffolk: Boydell & Brewer, 2014.

Christopher Moore, “Regionalist Frictions in the Bullring: Lyric Theatre in Béziers at the fin de siècle,” 19th-Century Music 27/3 (Spring 2014), 211-241.

Christopher Moore, “Review of Francis Poulenc, Francis Poulenc, Articles and Interviews: Notes from the Heart, edited and annotated by Nicolas Southon, translated by Roger Nichols.” H-France Review vol. 14 (November 2014), no. 177.

Christopher Moore, “Constructing the Monk: Poulenc and the Postwar Context 1945-1954,” Intersections: Canadian Journal of Music 32/1-2 (2012), published 2013, 203-230.

Christopher Moore, “Recension de Philippe Cathé, Sylvie Douche and Michel Duchesneau (eds.), Charles Koechlin: compositeur et humaniste.” Intersections: Canadian Journal of Music 31/2 (2012), 125-133.

Christopher Moore, “A Perfect Accord: Music and Gesture in Francis Poulenc’s Les Biches,” Les Cahiers de la Société québécoise de recherche en musique 13/1-2 (2012), 97-104.

Christopher Moore, “Camp in Francis Poulenc’s Early Ballets,” The Musical Quarterly 95/2-3 (Summer-Fall 2012), 299-342. http://mq.oxfordjournals.org/cgi/content/full/gds023?
ijkey=Z5zJcfvRfyKAXAj&keytype=ref
 Winner of the 2012 Philip Brett Award, sponsored by the LGBTQ Study Group of the American Musicological Society.

 Christopher Moore, “Music and Politics, Performance, and the Paradigm of Historical Contexualism,” Music & Politics 4/1 (Winter 2010). http://www.music.ucsb.edu/projects/musicandpolitics/archive/2010-1/moore.html

 Christopher Moore, “Socialist Realism and the Music of the French Popular Front,” The Journal of Musicology 25/4 (Fall 2008), 473-502.

Christopher Moore, Le Quatorze juillet: modernisme populaire sous le Front populaire,” in Musique et modernité en France. Edited by Sylvain Caron, Michel Duchesneau and François de Médicis, 363-387. Montréal: Presses de l’Université de Montréal, 2006.