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Conference presentations

“Form and Expression in Selected Lieder by Clara Wieck-Schumann.” Workshop presentator, Form Forum: Focus on Cadences, McGill University, Montréal, 24 January 2015

“Applied Subdominants and Motivic Treatment in Schoenberg’s ‘Warnung,’ Op. 3/3.” Society for Music Theory, Milwaukee, November 2014

“‘Denk an meinen Hund’: Recursive Plagalism and Motivic Treatment in Schoenberg’s ‘Warnung,’ Op. 3/3.” Music Theory Society of New York State, April 2014

“Text-Music Relationships in Mozart’s Hermes Lieder, K. 390-392.” Workshop presentator, Analyzing Mozart’s Vocal Music, University of Leuven, 12-13 December 2013

“Dominant Tunnels, Form, and Program in Schoenberg’s Verklärte Nacht, Op. 4.” Society for Music Theory, New Orleans, November 2012

“The Classical Half Cadence,” with Nathan John Martin. International Musicological Society, Rome, July 2012

“Transcendence and ‘Intransitive Love’ in the Music of Schoenberg and Webern.” University of Wellington, New Zealand School of Music, August 2012

“Cadential Expansion and Programme in Schoenberg’s Verklärte Nacht, Op. 4.” 17th Biennial Conference on Nineteenth-Century Music, Edinburgh, June 2012; Music Theory Society of New York State; Buffalo, April 2011

“Pierrot L. American Musicological Society; Indianapolis, November 2010; Sound and Spectacle: Staging the Visual, University of Toronto, February 2011

‘Something above Gender’: Webern’s Two Songs, Op. 8, on Poems by Rainer Maria Rilke.New England Conference of Music Theorists; University of Connecticut, April 2010

“Some Missing Links in the Evolution of the Major-Minor System.” Society for Music Theory; Nashville, November 2008; Tonality in Perspective; London, March 2008

“Frau und Seele: Constructions of Femininity in Berg’s Picture Postcards Songs op. 4 no. 2-3.” Feminist Theory and Music 9, Montreal, June 2007