Disclaimer / Avis de non-responsabilité


Chapters in peer-reviewed books/Chapitres de livres avec comité de lecture :

  • R. Prevost and K. Francis. “Teaching Silence in the 21st‑Century: Where are the Missing Women Composers,” in P. Hall (ed.), Forbidden Voices, Oxford University Press. Forthcoming.

Articles published in peer-reviewed journals/Articles publiés dans des revues avec comité de lecture :

  • Prevost, R., Discovering a New Sound World: Messiaen’s Influence in Steven Gellman’s Trikāya. International Journal of Contemporary Composition. (2013) 4: 1-15.
  • Prevost, R., “Hail” to Doreen: A Singer’s Journey to Create Canadian Arts Songs. Australasian Canadian Studies. (2012) 30/1-2: 201-221.
  • Prevost, R., Régularités et irrégularités métriques dans L’Arbre à pluie de Takemitsu.   Musurgia. (2010) 17/23 : 29-38.
  • Prevost, R., Wearing Two Hats : Anne Eggleston as Composer and Pedagogue. Intersections. (2008) 28/2 : 71-94.
  • Prevost, R., Some Challenges in Teaching American-Based Harmony in French. Journal of Music Theory Pedagogy. (2005) 19 : 129-49.
  • Prevost, R., Metrical Ambiguities in Ursula Mamlok’s Panta Rhei, IV. The Canadian University Music Review. (2003) 23/1-2 : 147-67.
  • Prevost, R., Conversations with Ursula Mamlok. Ex tempore. (2003) 11/2 :124-33.
  • Prevost, R., Semiotics and Music: Just Give Me a Sign!. The Western Journal of Graduate Research. (1998) 7/1:37‑46.